Epson recently announced a new set of all-in-one photo printers in their EcoTank line of cartridge-free printers. The EcoTank Photo ET-8500 (letter-size; $600) and Photo ET-8550 (13-inch; $700) inkjets have six refillable inks (five dye, one pigment), the capability to handle thick media, full network connectivity options, a flatbed scanner/copier, and more. These printers are Epson’s first photo-centric entries in the “supertank” printer market, and the company is hoping to reach photographers, designers and small office/home office folks who want high-quality, wide-gamut prints on a range of different media formats.
So, I’m back over here.
It’s been nearly a decade since I stopped working on Printerville. There were number of reasons for that, some personal, some professional, but the reality was that a site that reviewed mid-range to high-end photo printers didn’t make a lot of sense at the time, especially if there weren’t new developments happening on a regular basis. Archival ink sets offered expanded color gamuts that had seemed unimaginable in desktop photo printers a decade before, and the printers from Epson and Canon that used these inks were quite advanced. And HP, which had made a splash with their Z series of large-format printers, largely walked away from the advanced/pro photo market after the crash and burn of the B9180/B8850 desktop printers.
Plus, there was the ‘screen’ thing. Photographers at the time seemed to be more enamored of tablets and phones and online photo services like Instagram, Flickr and 500px than printing. When I’d mention printing, mostly what I heard from many photographers was that printing ‘was hard’ and, more importantly, ‘expensive.’
There’s nothing wrong with photos viewed on screens, but I love printing my own photographs, whether they be snapshots, proofs of work in progress, or finished fine art. To me, printing your work is an essential part of growing as a photographer; it helps inform your shooting and your processing in a way that viewing on screen cannot. It’s another component of the art of photography, an element of practice that can help you become a better photographer.
Epson America today announced a modest upgrade to its 17-inch professional photo printer line, with the Stylus Pro 3880.
On the surface, the 3880 offers a few incremental improvements over the Stylus Pro 3800, adding the Vivid Magenta inks, an improved printhead, and new screening algorithms. The case design, print engine, and ink system (with its spacious 80ml cartridges and 8-channel head that requires switching of matte and photo black inks) are identical to the 3800, which is testament to that printer’s design and its success in the market, as well as the relative maturity of the photo printer industry.
At Photokina in Germany, HP today announced the Designjet Z3200 Photo Printer, a wide-format inkjet printer for professional photographers and designers, with a new ink formulation, speed and paper-handling improvements and other enhancements over previous models.
The Z3200 is the successor to HP’s the Designjet Z3100 Photo Printer, which, when it first shipped late in 2006, was one of the most innovative photo printers we had seen in a long time. The Z3100 utilized 12 pigment-based inks (including a gloss optimizer) to produce high-quality, gallery-ready prints, but it was the printer’s embedded spectrophotometer (from X-Rite) and seamless integration with networked Macs and PCs that set it apart from competitors like Epson and Canon. HP spent considerable effort streamlining the process of printing: everything from unboxing the device to profiling and adding new paper types had been thought through by HP’s hardware and software engineers. The result was a printer that created top-quality prints and was a joy to use, day in and day out.
At the Drupa trade show in Germany this week, Epson announced two new wide-format printers, the Stylus Pro 7900 and 9900. The new printers, which have a maximum print width of 24" and 44",respectively, incorporate a new pigment-based ink set, called UltraChrome HDR. The HDR inks include photo and matte black inks, light black, light … Read more
X-Rite has posted Version 1.0.2 of the ColorMunki software, which reportedly fixes “all the software glitches that some of you have been reporting.” We haven’t had a chance to play with the update yet, but if you have a ColorMunki device, you can get the new version by using the Software Update feature in the … Read more
To summarize, the product was a complete failure for me on multiple machines and multiple printers and I cannot recommend it to anyone. My friend has problems as well, so there is definitely something wrong with the product as a whole. The only thing keeping me from returning it at this point is the promise of better software this week. X-Rite is known for having quality products, so it’s baffling as to why they shipped the ColorMunki in this state.
At the WPPI show in Las Vegas this week, X-Rite announced ColorMunki Photo, a $499 spectrophotometer designed to calibrate displays and projectors, as well as create ICC profiles for RGB and CMYK printers.
Using a small-number, large-patch sample, X-Rite claims that the ColorMunki will produce highly accurate ICC profiles in a fraction of the time it takes with more expensive devices. You can also use it to measure a room’s ambient light, and will be able to create custom profiles for different lighting conditions.
ColorMunki has a funky-cool look, sort of like a tape measure. It will work with both Mac and Windows systems, and is small enough that you can carry it with you when you’re working on a remote job. In addition to the profiling and calibration capabilities, ColorMunki can capture spot color from any spectral surface and can extract specific colors from your photos, to help build custom palettes.
HP is running a special “Buy 1, get 1 free” promotion on 13" by 19" paper for many of its professional line of papers for the B9180 and B8850 printers. If you’re a big fan of the HP/Hahnemühle Smooth Fine Art and Watercolor papers, or HP’s Professional Satin Photo Paper (one of our new favorites), … Read more
We’re currently getting ready for the annual PMA convention, which will be held next Thursday through Saturday in Las Vegas. While we were working on lining up meetings with the media companies, we discovered that Crane & Co., the venerable stationers based in Dalton, Mass., had sold their Museo line of digital fine art media to a new company, Intelicoat:
On December 17, 2007 Crane & Co. announced the sale of their digital fine art paper business, including the Museo brand of products, to Intelicoat Technologies. Intelicoat is the leading coater and converter of inkjet media including papers, films, canvas, and other fabrics. Crane will continue to supply the base paper and existing technologies.